Tag Archives: Mari Ness

FLAPPERHOUSE : Year One

Coming soon in soft, pulpy paperback.
Stay tuned…FY1F&BCs

 

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Outside the Flapperhouse – 12.30.2014

As 2014 has been careening through its homestretch, our Flappers have been even more prolific than usual, getting their work published across the internet like there won’t be a 2015.

Jeff Laughlin shared some things he’s learned this year in “The Year I Didn’t Belong” over at Triad City Beat.

Mari Ness’ “Offgrid” popped up at Three-Lobed Burning Eye.

Dusty Wallace’s “Flight of the Lonely” went up at Acidic Fiction.

Samantha Eliot Stier’s “Plugs” was inserted into The Writing Disorder.

Juliet Cook & j/j hastain collaborated on “Clots Push Over the Edge” for the latest issue of Stirring.

Alison McBain’s playfully absurd “Nothing For Sale” was featured at Saturday Night Reader.

Ed Ahern left his “Aftertaste” at New Pop Lit.

Anna Lea Jancewicz’s poem “Black Robin” nested at Spry Lit.

Cassandra de Alba’s poem “Tyra Banks in the Arctic Circle” strutted the runway at Glitter Mob.

Mila Jaroniec joined drDOCTOR for their year-end podcast.

Emily O’Neill’s poem “Proof” was included in the latest edition of Sundog Lit.

Natalia Theodoridou’s “The Ravens’ Sister” perched itself at The Kenyon Review Online.

J.E. Reich wrote about embracing the changing Jewish family for The Jewish Daily Forward.

Bonnie Jo Stufflebeam’s “Sleepers” went up at Fantastic Stories of the Imagination.

Julie C. Day’s “Faerie Medicine,” which initially appeared in FLAPPERHOUSE #2, was reprinted by Luna Station Quarterly.

“The Store” – Fiction by Mari Ness

By QuentinUK (Own work) [CC-BY-SA-3.0], via Wikimedia Commons
Shop Until You Drop – Banksy, 2011; Photo by QuentinUK  [CC-BY-SA-3.0], via Wikimedia Commons

With the holiday shopping season in full swing, it’s the perfect time to browse the curious wares in Mari Ness‘ flash fiction “The Store,” from our Winter 2015 issue.

{ X }

THE STORE MOVES AROUND. Sometimes discreetly, sliding in between two other stores; sometimes flamboyantly, planting itself firmly in a previously empty lot, with glowing “GRAND OPENING” signs and flags.  In times of economic prosperity, it enjoys nestling in quaint streets dedicated to antique shops and art galleries; during recessions, it often inserts itself into dying strip malls, or leans next to grocery stores and pharmacies.

She never moves.  Not that anyone can see, anyway.

She sits at the cash register near the front of the store, a register that seems to change slightly each time the shop moves.  It had been one of those old fashioned types, and now sports a computer screen that would put many larger businesses to shame, a screen that seems somehow out of place.  Her most noticeable quality: an utter absence of color, with excessively pale skin, nearly as white as paper, white hair, and colorless eyes.  Not pink, not pale blue, but literally colorless. The effect might be caused by contact lenses and makeup and bleach, but somehow, few customers ever think this.  The eyes move, to watch the customers, and her hands move, to take money and credit cards, but her body never shifts, though she must eat and drink and sleep. She must.

Where she might do this is less certain.  Certainly no one has ever seen her eat or drink inside the store, or leave her seat for any reason.  Indeed, she gives the impression that she is not just rooted to, but part of her chair, which in turn seems to be part of the floor.

Not that anyone checks too carefully.

What the store sells, it is hard to say. The merchandise shifts whenever the shop moves, and somehow, few customers seem to linger over the items.   Ordinary things, knickknacks, and jars of jam, and scented candles, and piles of music and books. Books that when opened tell of Jane killing Mr. Rochester by eating through his neck; where the Heart of Darkness is a river eagerly sucking away at the waters of the jungles, leaving a place of dryness and death ripe for fire; where Alice cuts her wrists with the shards of the looking glass. CDs where no one ever hears the secret chord that David played to please the Lord.  Small statues of fairies and angels, their eyes and mouths glued or sewn shut. Brilliantly colored flowers with grey edges that feel cold to the touch. Surprisingly delicious soup mixes, bringing delirious joy when prepared.  Jewelry, rich and strange and delicate. Candles labeled with never-known words. Continue reading “The Store” – Fiction by Mari Ness