Category Archives: Poetry

“Lucifer Says” – Poetry by Joanna C. Valente

Untitled - Dora Maar, 1936
Untitled – Dora Maar, 1936

Enter the magically surreal secret room of “Lucifer Says,” one of 5 spellbinding poems by Joanna C. Valente in our Winter 2016 issue. Buy yourself a copy of FLAPPERHOUSE #8 if you’d like to read the rest…

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AT NIGHT, THERE IS A SECRET ROOM in your aunt’s house with a little door
and inside the little door, a heart beats. there is no body to house the heart
like the house houses a million bodies with guts inside that beat a body
inside an ocean so salty, there is hardly any blood. inside a room without
windows, R tries on black dresses, lets down his hair and puts charcoal
around his eyes until they are as dark as his closet, puts silver on his lids
and bats until a boy emerges from his armoire, his legs molting into feathers
until he flies into the ceiling fan—splits open like a zebra torn apart
by a lion. R stands naked in front of his mirror and the mirror turns into
a faraway forest where a wizard plays ukulele over a dying woman’s body
until the woman lies dead until the full moon turns her into a boy and then
back into a woman until she is neither. R dreams of this woman.

the woman wakes up in a field of trees made by metal and rock. she walks
down a crooked path until she finds a sign that says downtown r train. she
throws her body—so slow and tired it feels like someone else’s body not
even human—onto the train until she falls into R’s bed. R sees her
from the mirror—cradles her until she becomes human again, until she
feels like the earth is forming in her belly, giving birth on his bed and he
holds their baby in his arms, breathing it out, breathing it in. He looks at
the woman and calls her T and breathes into her ear and she breathes into
his until they no longer are, until they both are everywhere else outside
their bodies.

{ X } Continue reading “Lucifer Says” – Poetry by Joanna C. Valente

“Hearsay from the Locusts” – Poetry by Ian Kappos

Insects - Theodor Severin Kittelsen, circa 1900
Insects – Theodor Severin Kittelsen, circa 1900

“Hearsay from the Locusts” is one of 3 poems dripping with dark weirdness that Ian Kappos contributed to our Winter 2016 issue. Buy yourself a copy of FLAPPERHOUSE #8 to read the rest…

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GIVE ME TO THE INSECTS, let me oil their mandibles.
Sprockets and painless hive death, become
the machine, eat
the lice.
It’s something to feed
the roots you once trod on, gummy-eyed and
heart-wrenched at the
coming dog-year, thinking
“Float me on down your canopy,
strange and mutant sky,”
humming
tone-deaf,
hive death
nectar-drunk, in utero,
finding
no man is an island—archipelago.

{ X } Continue reading “Hearsay from the Locusts” – Poetry by Ian Kappos

And Our Most-Viewed Pieces of 2015 Were…

The False Mirror - Rene Magritte, 1928
The False Mirror – Rene Magritte, 1928

Nearly twice as many eyeballs gazed upon our website in 2015 than in 2014, and now we shall countdown the 5 pieces which attracted the most of those eyeballs this past year:

#5. “A Deer With the Head of Emily Dickinson” by Cassandra de Alba, a deliciously eerie poem which will also appear in Cassandra’s forthcoming chapbook of deer-centric poems published by Horse Less Press.

#4. “The Rud Yard” by Vajra Chandrasekera, a hilariously terrifying take on the future of the surveillance state, which we nominated for both a Pushcart Prize & the Best of the Net.

#3. “Gelid” by T. Mazzara, our Fiction Editor’s touching prose poem for a departed friend.

#2. “Earth Comes Down” by Maria Pinto, a bluesy slipstream story with an impressive second-place finish, considering we posted it to our site less than 3 months ago.

and the #1 most-viewed piece on our site for 2015 was “9 lessons in witchcraft” by Danielle Perry (another Best of the Net nominee), which vastly increased our cult following among the occult.

Congratulations to Cassandra, Vajra, Mazzara, Maria, and Danielle, and thanks for all the eyeballs!

“The Witch These Days” – Poetry by E.H. Brogan

The Witch - Alfred Kubin, 1900
The Witch – Alfred Kubin, 1900

Should you care for one more taste of our supernaturally great Winter 2016 issue before it flies on December 22, here’s “The Witch These Days,” one of four enchanting poems by E.H. Brogan in FLAPPERHOUSE #8. And if you haven’t pre-ordered a digital copy of the issue already, you can click here to have it apparate into your emailbox by the Solstice.

(To hear a recording of E.H. reading the poem, check out the Soundcloud file below the text.)

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MORE AND MORE THE WITCH finds herself just wanting some
alone, no more villagers who pound down her door and pretend
they are friendly so she might do them favors, simple favors,
one single favor or a myriad, sometimes as little as her presence at
a bar she doesn’t want to go out to tonight, the aura of her blessing,
hot factor of her green-edged hair, power implied by her implied power, by
her being there. She could say nothing – but no one lets her, out in public,
ever. All she really wants to get done strangers stomp all over, stand in the way
of scooping litter, block progress on her newest painting, even her shortest,
partial tasks: ordering parchment notes and copying fresh spells down in
attempts at calligraphy, or script, a mark THAT she cares, or that she takes
her time, at least, she tries, within her cracking record Book.
But no one seems to understand her level, how absent
company does not mean company is needed. It sounds awful
boring to all of them, loneliness, those that live in the village.
Without others what could one be doing? Running
from you all, she mutters as she finally picks up
the phone, you know, the landline which for over
twenty minutes now has rung and kept
on ringing. What do you need?

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image1E.H. BROGAN is a graduate of the University of Delaware with a B.A. in English. You can read her poetry at places like Cider Press Review, Bop Dead City, FLAPPERHOUSE, the Sandy River Review, and Red Paint Hill. Soon, you’ll be able to read her prose in PRIMITIVE magazine. Her house is built of unread books. Tweet @wheresmsbrogan for more. You can listen to any or all of her previously published poems on Soundcloud here

“FLAPPERHOUSE: A Love Song” – Poetry by the late Dorothy Parker

THERE’S VERY LITTLE LIT TODAY
that doesn’t make me grouse ;
the only zine I wish would stay
around is FLAPPERHOUSE

It’s weird and sexy, dark and funny,
free of sanctimony,
they pay their writers with real money,
not that “exposure” baloney.

If you’d like to show support, don’t wait–
act now and make it happen!
Visit FLAPPERHOUSE . com / DONATE
and help FLAPPERHOUSE keep flappin’

“Chapel of Sacred Mirrors” – Poetry by Joanna C. Valente

Cosmic Energy - Remedios Varo, circa 1956
Cosmic Energy – Remedios Varo, circa 1956

If you’re ravenous for a taste of FLAPPERHOUSE #8, check out “Chapel of Sacred Mirrors” below, one of five spellbinding poems by Joanna C. Valente in our forthcoming Winter 2016 issue.

To read the rest of Joanna’s contributions to our weird little zine, you could pre-order a digital (PDF) copy for $3US and it will fly into your emailbox by the Winter Solstice. And if you’ll be in the NYC area on January 6, you can come see Joanna read some of her work, along with many other very flappy writers, at FLAPPERHOUSE Reading #5 / Issue #8 Flight Party!

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WHEN YOU ARE FOUR YEARS OLD, you still fit in the crawl
spaces of your first house and feel the world as too big

and long for a lack of space, an end to absence
like the glue sticks that never stick the red heart

to the white letter paper from a forest
that doesn’t exist and no one worries about

where bears skin old women alive before
lighting candles pink as their necks

before the sounds they make being shoved
against a wall, choking—a  violin underwater

all alone like a body is a letter you rip
open—neither look pretty when you rip its seams

apart, find clumps like hair inside a medicine
bottle with random letters smudged off

by touch—can’t remember whose, doesn’t
matter because I’m drunk and there’s nothing

inside my body to hear except swans
eating the hearts of their mates after they make

love, mistaking veins for birthday candles
on top of cakes dreamt up by humans who still

love each other—if they realized their eventual

fate is to be dead forever, would they even
bother to begin with?

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joannavalente_bwJOANNA C. VALENTE is sometimes a mermaid and sometimes a human. She is the author of Sirs & Madams (Aldrich Press, 2014) and The Gods Are Dead (Deadly Chaps Press), and received her MFA at Sarah Lawrence College. Her collection Marys of the Sea is forthcoming from ELJ Publications in 2016. Some of her work appears in The Huffington Post, Columbia Journal, The Atlas Review, The Destroyer, among others. In 2011, she received the American Society of Poet’s Prize. She edits Yes, Poetry, and is the Managing Editor for Luna Luna Magazine.

A Third Excerpt from Nothing Granted – Poetry by Anna Meister

Wrath - Giotto, 1306
Wrath – Giotto, 1306

Our Fall 2015 issue contains three excerpts from Anna Meister‘s outstanding poetry series Nothing Granted. We’ve posted two of those poems earlier this season and today we’re very flappy to present the third one below.

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ANGELS FALL UNDER IT see them bend without necks hear them beg
light swallow the itch to scratch catch myself rawer than meat

the shaking after sip that transforms a body I could keep
drowning all these fantasies packaged I could wear blood

would they all come true like apples I try to sit & pray praise
in due time what might come without whatever name god

make me secure hands of little make me pine fuck the drowning
takes too long you don’t have to dream my body is bald & fingered

by you need help call all the cool cold hands I am tired
of the guilty swallow so greedy I feel here is my throat

working teeth marks everywhere I go grant me wrath a cliff
wouldn’t change I’m leaving anything I could come home

sober for somewhere between a room filled with smoke
& commitment I stay lifted naked girl almost recognizable

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anna_meisterANNA MEISTER is an MFA candidate in Poetry at New York University, where she serves as a Goldwater Writing Fellow. A Pushcart Prize & Best of the Net nominee, her poems are forthcoming in Powder Keg, Whiskey Island, Barrelhouse, The Mackinac, & elsewhere. Anna is a 2015 Saltonstall Foundation for the Arts Fellow. She lives & works in Brooklyn.

“My Wet” – Poetry by Adam Tedesco & Juliet Cook

Two Rats - Vincent van Gogh, 1884
Two Rats – Vincent van Gogh, 1884

The fantastically feral “My Wet” is one of two twisted poems by Adam Tedesco & Juliet Cook in our Fall 2015 issue.

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SEWER RATS ARE ON THE DECLINE
Living a rough life on the ranch
In the boots of wannabes
They wait for a god to ask them to kill

The incense is lit
Pressure cooker
Plugged into my brain
Snapped into a trap

We smoke ropes of dead rat
Watch mutilation through stolen telescopes
Get high on their killing
Wet ourselves in a blood embrace

The rat that hears the voice
Appears no different
Walks a simple path
Like submission, a gift

Whether he ends it or I end it
I’m the one who stops existing

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IMGP3324ADAM TEDESCO has worked as a shipbuilder, a meditation instructor, and cultural critic for the now disbanded Maoist Internationalist Movement. He conducts the ConversexInverse interview series and analyzes dreams for the online literary journal Drunk In A Midnight Choir. His recent work has appeared or is forthcoming in Similar:Peaks::, pioneertown, FunhouseCosmonauts Avenue, and elsewhere.

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IMG_1359 - Copy (2)JULIET  COOK is a grotesque glitter witch medusa hybrid brimming with black, grey, silver, purple, & red explosions. Her poetry has appeared in Ghost Proposal, H_NGM_N, ILK, and Menacing Hedge. She is the author of more than 13 poetry chapbooks, including POISONOUS BEAUTYSKULL LOLLIPOP (Grey Book Press, 2013), RED DEMOLITION (Shirt Pocket Press, 2014) and a collaboration with Robert Cole, MUTANT NEURON CODEX SWARM (Hyacinth Girl Press, 2015). A collaborative chapbook with j/j hastain, Dive Back Down, is forthcoming from Dancing Girl Press. Her first full-length poetry book was Horrific Confection (BlazeVOX, 2008). Her second, Malformed Confetti, is forthcoming from Crisis Chronicles Press. www.JulietCook.weebly.com.

And Our Pushcart Prize Nominees Are…

Just in the nick of time, we’ve mailed our nominations for this year’s prestigious Pushcart Prize, which will honor literary works published in 2015 by little magazines & small presses throughout the world.

And our nominees are (in order of appearance):

“The Rud Yard” – short fiction by Vajra Chandrasekera
“She Used to be on a Milk Carton” – poetry by Kailey Tedesco
“The David Foster Wallace Empathy Contest” – short fiction by Wm. Samuel Bradford
“Spanish Donkey / Pear of Anguish” – poetry by Jessie Janeshek
“the things that are left behind” – poetry by Joyce Chong
“Ewart” – short fiction by Michael Díaz Feito

Congratulations & best of luck to our nominees– and thank you all for contributing your phenomenal work to our weird little zine.

“Cosmonaut” – Poetry by Laurin DeChae

Star of the Hero - Nicholas Roerich, 1932
Star of the Hero – Nicholas Roerich, 1932

Soar through the stratosphere with “Cosmonaut,” one of two awesomely extra-terrestrial poems by Laurin DeChae in our very cosmic Fall 2015 issue.

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“I see no god up here.” –Yuri Gagarin*

IS THIS FILLING EVERY PIN HOLE PRICK of light you thought it would  blow me
float down from space like a paper airplane drifting on the come down
trip over the underbelly of a pot-bellied pig soaking in afternoon
mud a pied piper parading pockets filled with crumbs and so much more
than music mustering up the melody enough to chime chime the church
bells the tower telling more than a tale of rings and stars torched and ciphered
by birds dotting horizons with wingspanning curvature like the body changing
shapes like the skeleton that shakes loose from skin from sin from signature
from myth from constellation from spanning across skylines nameless
tame this tail of light streaking but the aim is higher so blow me
down blow me out extinguish there’s nothing here it just goes on forever
it goes on like jack and jill and the inevitability of falling hill or no hill
I knew there was nothing for me here nothing good anyway but I had to know I had to                know

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DeChae_HeadshotLAURIN DeCHAE is an M.F.A. candidate for poetry at the University of New Orleans, where she acts as the associate editor for Bayou Magazine. She is active in the fields of education and composition, assisting in programs such as the Greater New Orleans Writing Project, Scholastic Art & Writing Awards, and the Tennessee Williams Literary Festival. Her work appears or is forthcoming in Harpur Palate, Cleaver Magazine, burntdistrict, S/WORD, and Rose Red Review.