Beyond-the-Grave Buzz for FLAPPERHOUSE #7!

FLAPPERHOUSE7CoverSome of literature’s all-time greats are buzzing like manic dragonflies about FLAPPERHOUSE #7!

“Darling, all night
I have been flickering, off, on, off, on.
The sheets grow heavy as a lecher’s kiss
as I read and re-read FLAPPERHOUSE #7!” – Sylvia Plath

“The world is just as concrete, ornery, vile, and sublimely wonderful as before I read FLAPPERHOUSE #7, only now I better understand the true meaning of flappiness.” – Ralph Ellison

“Someday, someday, this crazy world will have to end,
And our God will take things back that He to us did lend.
Except, of course, for FLAPPERHOUSE #7,
the one thing you can take with you to Heaven.” – Kurt Vonnegut

FLAPPERHOUSE Reading #4, In Pictures

A million butternut squash-flavored thank yous to everyone who helped make Reading #4 such a blast: Bud, Shannon, David, Scott, Anna, T, & Michael for performing your flappy lits; Pacific Standard for your warm & welcoming hospitality; Alibi Jones for your superb singing & splendid photography; and to all you scintillating individuals who attended and gave us our biggest crowd yet. 

See y’all again this Winter…

Photos by Alibi Jones

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Bud Smith reviews his corner bodega in an excerpt from “Tables Without Chairs”
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Shannon Moore Shepherd reads her dark & ravenous poem “Creature Feature: Caligynachtmare: Dread the Beauty”

Continue reading FLAPPERHOUSE Reading #4, In Pictures

FLAPPERHOUSE #7 Now in Print!

FH7thumbnailOur Fall 2015 issue, FLAPPERHOUSE #7, has officially flown into the cosmos like a skull-faced pixie on a rocket-powered vacuum. It’s beautifully disturbing & exquisitely surreal, and it’s got that inimitable Autumn vibe that will perfectly complement your ciders & sweaters & graveyard seances & everything else you love about the coming season.

FLAPPERHOUSE #7 is now available in soft, pulpy paperback via CreateSpace or Amazon for just $6US. Or if you prefer to read your lit on good old-fashioned gadgets, digital (PDF) copies are available for $3US.

4 Famous Quotes to Prepare You for FLAPPERHOUSE #7

Fantasy - Sergey Solomko
Fantasy – Sergey Solomko

“I see no God up here.” – Yuri Gagarin*

“This thing all things devours:
Birds, beasts, trees, flowers;
Gnaws iron, bites steel;
Grinds hard stones to meal;
Slays king, ruins town,
And beats high mountain down.” – Gollum,
The Hobbit

ān æfter eallum…” (“one after all”) — The Last Survivor, Beowulf

“PDFs of our Fall issue, FLAPPERHOUSE #7, are now available for pre-order for just $3 US.” – FLAPPERHOUSE

Your Financial Contributions Are Crucial to Our Survival

READERS OF FLAPPERHOUSE: WE ARE CURRENTLY HOLDING THE NEXT ISSUE OF YOUR BELOVED ZINE, FLAPPERHOUSE #7, HOSTAGE. IF OUR DEMANDS ARE NOT MET, THIS SPECTACULAR COLLECTION OF POEMS & SHORT STORIES WILL NEVER SEE THE LIGHT OF DAY.

GO TO FLAPPERHOUSE.COM/DONATE, AND GIVE FLAPPERHOUSE SOME MONEY. THE AMOUNT OF MONEY IS NOT IMPORTANT, AS LONG AS IT’S SOMETHING.

FLAPPERHOUSE IS A UNIQUE AND VITAL VOICE IN INDEPENDENT LITERATURE, AND YOUR FINANCIAL CONTRIBUTIONS ARE CRUCIAL TO ITS SURVIVAL.

DO NOT MAKE US DO A KICKSTARTER.

WE REPEAT:

DO, NOT, MAKE, US, DO, A FUCKING KICK-STARTER.

YOU HAVE ONE WEEK.

“Creature Feature: Caligynachtmare: Dread the Beauty” – Poetry by Shannon Moore Shepherd

The Angel of the home or the Triumph of Surrealism - Max Ernst, 1937
The Angel of the home or the Triumph of Surrealism – Max Ernst, 1937

Shannon Moore Shepherd‘s fiendishly fantastic poem “Creature Feature: Caligynachtmare: Dread the Beauty” is the opening spell of our Fall 2015 issue. If it adequately stokes your demonically ravenous hunger for more surreal, shadowy, sensual, & satirical lit, you could pre-order a digital copy of FLAPPERHOUSE #7 now so that it flies into your emailbox before the Autumnal Equinox. And if you’re in the NYC area, you also could come watch Shannon perform, along with some other uber-flappy writers we love, at FLAPPERHOUSE Reading #4 on September 23.

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I AM COMING FROM FAR AWAY,
and not to fold your laundry.
A bat lights on one shoulder,
a starling on the other. I am
fortified by what meets
in the middle of dark
and light. Little star, shining,
goodbye Earth and all its
years (How are we not all covered
in dust? How do you keep your
toe pointed, little star?)
But I am coming with no
history and all of it balled up and popped into
my mouth and sliding down my throat, so do not
ask how I keep myself warm.
Saturn’s belt of crushed rock around
its belly I can ride like
a thunder cat. I am a silver-skinned wonder
setting down your tea to watch you shiver.
I am Isis’ darkest vein, but as if through an
orchid, I am sick with beauty.
Continue reading “Creature Feature: Caligynachtmare: Dread the Beauty” – Poetry by Shannon Moore Shepherd

Digital (PDF) copies of FLAPPERHOUSE #7 Now Available for Pre-order

Click to Pre-Order
your digital PDF copy of
FLAPPERHOUSE #7
$3 US

btn_buynowCC_LGFashion goes to war– literally. A playground comes to life. A lady wants to fly. An artist plays a dangerous game. A mysterious woman appears after a powerful storm. Time comes to an end, yet the world goes on…

All that + 13 cosmically flappy poems, some swampy Southern Gothic, & an introduction to the world’s most profound coloring book– all for just $3US. Pre-order now & a PDF of our Fall 2015 issue will fly into your emailbox on or before the Autumnal Equinox (September 23rd).

FLAPPERHOUSE7Cover

“The Boy Princess” – Fiction by Jane Flett

Boy with a Crow - Akseli Gallen-Kallela, 1884
Boy with a Crow – Akseli Gallen-Kallela, 1884

The grand finale of our Summer 2015 issue is “The Boy Princess” by Jane Flett, an unforgettable fairy tale that’s as bizarre as it is touching.

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EVERYWHERE IT IS AUTUMN, the leaves are capsizing, and yesterday I saw the boy princess in the woods. He was squatting beneath a stone bridge, throwing pebbles into the stream, while I watched from the other bank. I like to watch him balance. His thighs are sturdy—meaty, in fact—though I could see the muscles quivering underneath the skin. A pulse in the neck of a baby bird. His garter had begun to unravel, and the dirty end of the lace was lapping in the stream.

I didn’t want to disturb him. The boy princess is a paper sack of contradictions—part brittle sugar-glass, part thick, sure flesh. The pebbles made an empty thwack when they hit the water and I thought of wishes and wells. If I could be granted one true thing by the wish master, what would it be?

To be the stream, nuzzling at that grubby lace? No—

To be the garter, quick against his thigh? No—

To take the boy princess in my mouth and taste him, so sweet and slick he hurts my teeth.

The wish master gave me none of these things. I left the boy princess to his pebbles and reflection, and climbed over the rocky banks towards home.

{ X }

I try to pretend I can take or leave the boy princess, but of course, either is impossible. The moment I met him last spring, he crawled beneath my heart, and he dwells there now with sharp canine honesty.

I met him on the mountain of rejected objects one morning when the sun was fat in the sky. He was exercising his pet crow. That is, he was throwing scraps of bacon from a paper bag into the void past the cliff and the three-legged crow would swoop and caw and plummet, racing against meat and gravity, to rise up victorious with a morsel in its mouth. I didn’t know he was the boy princess then. I didn’t know the crow was his. But there was something transfixing about the arc of his arm.

The skin was covered in ragged black sketches. An owl’s eye, which seemed to follow me when I walked. A map of islands with a sea full of kraken. The languid silhouette of a bear. But the skin was also very pale. It looked as if it would puncture if you pressed too firm a nib against it. As if any line of ink would be followed by blood.

I watched the crow. It was lovely to watch the balance of his body as he landed. His back leg hit the grass first, then the middle, then the front, and the crow would rock forward, bob, and settle back against his tail. Every time, a gentle crow curtsey: Thank you.

“That’s a good crow,” I said.

The boy princess turned around. He narrowed his eyes, or perhaps it was just mascara smudging in the sockets.

“He’s not,” said the boy princess.

“But—”

“He might seem good. It’s because he’s got three legs, isn’t it? But trust me—” at this, he lobbed another morsel of bacon over the cliff top “—this crow is impossible.”

Continue reading “The Boy Princess” – Fiction by Jane Flett

“Dance” – Poetry by CL Bledsoe

The Dancers - Fernando Botero
The Dancers – Fernando Botero, 1987

“Dance” is one of five wry yet poignant poems by CL Bledsoe in our Summer 2015 issue, which you can order online via Amazon and Createspace. Copies are also available at fine independent brick-and-mortar stores like Bluestockings and St. Mark’s Bookshop.

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WE WERE ALL BEAUTIFUL ONCE,
some will be again if we
remember to let ourselves.

Grow your hair long to hide those
scars on your neck, your shoulders;
one day, when no one suspects,

cut it short and see that they’ve
faded. My neighbor only
smiles when she thinks no one can

see, walking her dog, alone
in her car. She’s beautiful
in a way that makes me want

to lose 50 pounds and ask
her to dance. I don’t even
have any interesting

shoes anymore; just nice ones.
The days used to mean so much.
Now, it’s all turn signals, slow

dryers. I’m not making sense;
this girl, she’s not exactly
pretty. I just want to dance.

{ X }

HeadshotCL BLEDSOE is the author of a dozen books, most recently the poetry collection Riceland and the novel Man of Clay. He lives in northern Virginia with his daughter.

“Red Hair, Red Venison, Brown Summer Sun” – Poetry by Jessie Janeshek

Sun and Life - Frida Kahlo, 1947
Sun and Life – Frida Kahlo, 1947

Jessie Janeshek‘s magical and mischievous “Red Hair, Red Venison, Brown Summer Sun” is merely one of four poems she contributed to our Summer 2015 issue, currently orderable online via Amazon and Createspace. Copies are also on sale at independent brick-and-mortar stores like Bluestockings and St. Mark’s Bookshop.

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WE’RE A FOX FOR ALL SEASONS             eat bonbons like bad pigs
      cry every rain for the bones of an idol
          the colts of an emblem
      the house-cat shaped hole in the tree.

We wake sick once a month   eat dried baby’s breath
      vomit hinges and hexes        track our black sex on money               since worms are inside.

 

All signs point to yes, unsympathetic.
      We spray piss, make it coarse
      since it’s not crime if it’s habit
            and we’re the white horse
      the slim beehived bride in the iron lung
      still watching          Dark Shadows
      in retrospect.

 

 

Author’s Acknowledgment: The phrase “the bones of an idol” is the title of a song by The New Pornographers.

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jessie janeshek headshotJESSIE JANESHEK‘s first book of poems is Invisible Mink (Iris Press, 2010). An Assistant Professor of English and the Director of Writing at Bethany College, she holds a Ph.D. from the University of Tennessee-Knoxville and an M.F.A. from Emerson College. She co-edited the literary anthology Outscape: Writings on Fences and Frontiers (KWG Press, 2008).