Tag Archives: Ron Kolm

“A Late Lunch with Philip Roth” – Fiction by Ron Kolm

A recently-deceased author makes a brief return to the land of the living in “A Late Lunch with Philip Roth,” Ron Kolm‘s ghostly vignette from our Winter 2019 issue

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I FIRST MET PHILIP ROTH MANY YEARS AGO when I was a store manager at Coliseum Books, on the corner of 57th Street and Broadway. Coliseum was one of the largest, best-stocked bookstores in Manhattan at the time. This was the early 1980s, and Barnes & Noble hadn’t yet started its massive invasion of the city, opening superstores uptown and downtown, eventually putting Coliseum out of business. Our store was the place to go if you were a serious lover of books.

Coliseum was also at the top of the list of places to make an appearance for published authors, particularly best-selling ones. The tiny, grizzled Norman Mailer came by the store, escorted by his statuesque wife, Norris Church, who walked him like a wayward bulldog up the steep steps to the manager’s station, where we had piled copies of his books to be signed. He grumbled, but signed them anyway.

Fran Lebowitz, who lived a block away in the Osborne, a landmarked building, visited the bookstore almost every day, and was very nice to the staff. She’s an acquaintance still.

Then there was the first time that the famous novelist Philip Roth stopped by. Most of us knew who he was – we all read widely – but for the uninitiated, one of the guys on the staff grabbed a paperback copy of Portnoy’s Complaint and pointed to the photograph of him on the back cover. In person he was tall, and his hairline was receding, but it was definitely him. Thus apprised, the floor manager let him walk up the three steps that led behind the counters where the cashiers held sway. This partial elevation was to protect the cashiers, to keep dangerous folks down below them where security could more easily remove them from the premises.

Anyway, there was a long plate-glass window overlooking Broadway behind the cashiers’ station, and the early afternoon sun would shine brightly through it. This same sun was now etching a fiery halo around Philip Roth’s head and shoulders as I looked up at him. I was stuck dumb by the vision before me. I so wanted to ask him about one of his early books, Letting Go, that had played an important part in my life when I was in college. Portnoy’s Complaint and Goodbye, Columbus were no-brainers as far as I was concerned – I’d read them quickly, and enjoyed them — but I simply couldn’t move or speak. He thanked the store manager, turned and left.

He visited the store many times after that; he lived on the Upper West Side I’d been told, but I was always in the middle of doing something, so I’d say ‘hello’ to him, and that was about it. I never did get a chance to engage him in a conversation about Letting Go.

Life went on. Shortly after 9/11 Coliseum Books lost its original location, due to a spectacular rent increase, and moved to 42nd Street across from Bryant Park. That location closed a few years later when Barnes & Noble opened a store on Fifth Avenue, just a short walk away. We lost fifteen percent of our business that night. After that, I lucked out and got a job at Posman Books in Grand Central Station – I’m still working for them in their Chelsea Market store.

So yesterday I get an email from ‘Charles Lindbergh,’ and out of curiosity I opened it, expecting to get hacked. But no, it seemed to be on the up and up.  The text in it explained that it was from Philip Roth reaching out to me from the void. I shrugged and read on. Everything is so out of whack these days, that I simply accepted the impossible; the impossible had to be way better than the possible anyway! Philip apologized for never addressing my love for his novel, Letting Go, but he wasn’t interested in talking about that particular book anyway. What was on his mind were several things: were people buying his novel, The Plot Against America, and would I be interested in talking about how it related to Donald Trump, and what was going on in the country right now.

“Sure,” I typed back. “Do you want to do this via emails?”

“No,” he answered. Actually ‘Fuck no!’ is what he wrote. “We’ll meet for lunch at the Russian Tea Room. It only makes sense, given the Russian collusion and all that sort of thing. They did bail him out in Atlantic City, you know! And it will be your treat! I mean, after all, I’ll be doing you a huge favor, and you have no idea how much trouble this visit will put me through! I’ll get back to you with the particulars in a minute. But first I have to go and Portnoy myself – emails like this get me off!”

In just a couple, he got back to his machine, and asked me if I could meet him in about an hour at the famous eatery on 57th Street. I typed back ‘sure’ and turned off my computer, but before doing so, I googled the Russian Tea Room. They had no dress code, and the prices were outrageous for a bookstore clerk like myself, but I figured I could use a credit card and worry about it later. When I got there I saw Philip Roth sitting at the bar with a glass of water before him. I sidled over and introduced myself, wondering how the fuck he had crossed the line from the dead to the living, and asked if he wanted a beer.

“Sure,’ he said. “A Bactika 3. It’s Russian, only costs eighteen dollars. And, to answer your question, all of us in the nether zone are walking among you all the time. We just pick and choose our appearances very carefully. Fake news, and all that! So how are my books selling? Particularly The Plot Against America – I hear it’s regarded as being prescient, not a word I use often – meaning it predicts Mr. Trump, and what’s happened to the body politic recently.”

“Well, gotta tell you I love that book! It sure isn’t all that far away from Portnoy. I marked up my copy, and page 153, where Alvin talks about peeing and holding his cock, and falling on the bathroom floor, could have been lifted from it directly! Hey, do you want a bite to eat? I read on the internet that the second booth in the back to our left is called ‘The Tootsie Booth” — that part of the film was actually shot here. No one’s sitting there now, so we could head over and grab it, then order lunch.”

“Um, I think I’m starting to fade… Don’t know that I can hang out much longer. Geez, really wanted to talk about the ‘pee tape.’ The ‘alleged’ pee tape. It’s like that stuff on page 153 kind of presages it… in a way. Glad you mentioned that part of the book. So much I wanted to talk about… Trump’s limited vocabulary… his lying, fascist tendencies… Sorry, have to sign off here…”

And he was gone. More to the point: I got the check and almost checked out myself.

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Photo by Arthur Kaye

RON KOLM is a founding member of the Unbearables and a contributing editor of Sensitive Skin magazine. He’s the author of The Plastic FactoryDivine ComedySuburban Ambush, Duke & JillNight Shift, and with Jim Feast, the novel Neo Phobe. He’s had work in Have A NYC 3, Live Mag! and the Outlaw Bible of American Poetry. Ron’s papers were purchased by the NYU library, where they’ve been cataloged in the Fales Collection as part of the Downtown Writers Group.

FLAPPERHOUSE Reading #22, In Pictures

A googolplex of gargantuan gratitudes to everyone who made our 22nd Reading one of the all-time greats: Keegan, Melissa, Mary Boo, Jess, Ron, and Shy for performing your flappy lits;  Alibi for your show-stopping singing and fab photography; Pacific Standard for the ever-gracious hospitality; and of course, all you gorgeous & enthusiastic individuals who came to be part of the audience.
Let’s do this again on June 27…

photos by Alibi Jones

Keegan Lester recounts an unforgettable road trip soundtracked by Fleetwood Mac

Melissa Mesku talks about The Game and how to lose it

Mary Boo Anderson shares some love poems from the NSA

Jess Rizkallah shares poems both silly & sad

Ron Kolm tells stories about his days as an encyclopedia salesman

Shy Watson recites poems from her latest book “Cheap Yellow”

Alibi Jones prepares to teach the audience how to do the Dada Polka


Join us as we dance the dance of the seven veils, and bring us the head of John the Baptist– it’s our 22nd reading! Wednesday, May 23, 7-9 PM at Brooklyn’s Pacific Standard.



Admission is free; facebook event page is here.

“Hope Springs Eternal, or: The Reincarnation of Andy Warhol’s Soul” – Poetry by Ron Kolm

The iconic pop artist experiences a poetic rebirth in “Hope Springs Eternal, or: The Reincarnation of Andy Warhol’s Soul,” Ron Kolm‘s delightfully surreal contribution to our Summer 2017 issue.

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Among the potato chips
In a pink Tupperware bowl
Sitting on a wooden picnic table
At a Baptist prayer meeting
In Fort Wayne, Indiana.
Now this particular disturbance
Is not man made, nor is it
An act of Nature; it is, in fact,
The awakening of Andy Warhol’s
Reincarnated soul.

What the Hell, Andy thinks,
A potato chip? I silk-screened
Monroe for this?
The guys at the Factory
Assured me I’d come back
As the hippest thing possible
But a potato chip?!
Now, it’s nitpicking
In the extreme
But we should note
That Andy Warhol
Returned as a Pringle,
Not as a real potato chip, a detail
That would have delighted him
In his previous incarnation.

The afternoon wears on,
And one by one his companions
Disappear; Lou, Holly, Baby Jane,
Gerard, Viva, and, yes, even
little Edie — until Andy
Is the only chip remaining.

Please let me come back
As a roll of aluminum foil
Next time, he prays,
As the shadow of a large,
Calloused Baptist hand
Blots out the sky above.

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Continue reading “Hope Springs Eternal, or: The Reincarnation of Andy Warhol’s Soul” – Poetry by Ron Kolm

FLAPPERHOUSE Reading #16, In Pictures

A sky-full of thank-yous to everyone who helped make Reading #16 such an unforgettable affair : Ron, Francine, Devin, Kailey, Gabriela, and Leland for performing your flappy lits; Alibi for your lovely via-satellite singing; Pacific Standard for your always-gracious hospitality; and all you magnificent people who came & graced us with your presence.
We hope to see you again in the Fall…

Ron Kolm recounts tales of his bookstore-working days

Francine Witte reads a heartbreaking poem of parenthood

Devin Kelly reads his Oregon Trail-inspired poem “Caulking the Wagon”
Continue reading FLAPPERHOUSE Reading #16, In Pictures

FLAPPERHOUSE Reading #16 / Issue 14 Flight Party

We’re gonna throw your brain off a freaking plane as we celebrate the flight of our Summer 2017 issue with our 16th reading! Wednesday night, June 28, 7-9 PM at the always-hospitable Pacific Standard, 82 Fourth Avenue in Brooklyn.

ALIBI JONES (via satellite)


Admission is FREE, and you can buy copies of FLAPPERHOUSE #14 for the special reading price of $5.

Facebook event page here

“Terminal” – Poetry by Ron Kolm

Grand Central Terminal - Max Weber, 1915
Grand Central Terminal – Max Weber, 1915

There’s a good old-fashioned New York City panic goin’ on in “Terminal,” Ron Kolm‘s riveting poem from our Winter 2017 issue.

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In Grand Central Station
And I’m killing time
At the information counter
Looking stuff up
On the bookstore’s computer.
There’s a sudden commotion
Outside the front window
As a crowd of people
Runs up the ramp
Towards 42nd Street
Yelling and waving their arms.

Something must have gone
Horribly wrong
In the terminal—
Maybe someone has a gun
Or a bomb.
Perhaps it’s the terrorist attack
We’ve been anticipating
For so long.

And just like that
They all come running
Back down, still shouting,
Just like in a Marx Brothers
Movie, and this finally gets
The manager’s attention.
Now even he knows
That something bad
Has occurred

As panic sets in
He gives the order
To evacuate the store–
We ask the customers
To please leave quickly.
A guy I work with
Pulls me aside and says
He’s going to slip out
The rear entrance
Fuck everyone else!
I follow him
Through the tunnels
Over to the shuttle
Where we exit the station.

When we reach street level
I see a horrendous sight:
The sky is blood red
And though it’s summer
Snowflakes are falling
And coating everything.
I figure that a plane
Must have crashed
Into a nearby building.

All I want to do
Is flee this nightmare–
But we’ve been told
That if disaster strikes
We’re supposed to assemble
On the corner of 43rd
And Madison where
A roll call will be taken
To make sure
Everyone got out ok.

On my way there
I stop in a bar
To watch the news on TV
And finally find out
What really happened–
A Con Ed steam pipe exploded
Just a couple of blocks away
And shot debris high
Into the surrounding sky.
I toss back a few
Glued to the screen
And forget all about
The bookstore.

Days later
Con Edison announces
That the snow is asbestos,
And sets up a collection point
Where contaminated clothes
Can be dropped off
And put in garbage bags
To be buried somewhere–
But I can’t afford
To trash mine
So I simply wash them
And hope for the best.

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Continue reading “Terminal” – Poetry by Ron Kolm

FLAPPERHOUSE Reading #12, In Pictures

A hundred thousand hymns of praise to everyone who helped make last night’s reading such a holy moment: Anthony, Francine, Leland, Leonard, Ron, and Deirdre for performing your flappy lits; Alibi for your exquisite singing & fantastic photography; Pacific Standard for once again being our favorite place to read; and all you smart & sexy people who came to catch the show. Let’s do this again on February 15…

photos by Alibi Jones

img_5724Anthony Cappo shares poems of music & memory from his chapbook My Bedside Radio.

img_5749Francine Witte warns us of “Things to Watch Out For” in one of her poems from our new issue.

img_5765Leland Cheuk performs his brilliant short story “League of Losers” from his new collection Letters From Dinosaurs.

Continue reading FLAPPERHOUSE Reading #12, In Pictures

FLAPPERHOUSE Reading #12 / Issue 12 Flight Party

fhreading12posterWe’re gonna flap our downhearted blues away on Wednesday, January 4, 2017 from 7 – 9 PM at Brooklyn’s Pacific Standard as we celebrate the flight of our 12th issue with our 12th reading!








& the late LEONARD COHEN

“Finnegan Joyce” – Fiction by Ron Kolm

James Joyce - Djuna Barnes, 1922
James Joyce – Djuna Barnes, 1922

From our Summer 2016 issue, “Finnegan Joyce” is Ron Kolm‘s funny & raunchy riff on the late great James Joyce.

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HELLO, HELLO, JAMES JOYCE HERE, but briefly, yes, the voice, yes, I know it doesn’t sound so very good, no, the voice does not fare well here in the dead zone — 0, and I used to be a tenor, such a beautiful tenor that they told me, more than once, yes, that I could have been a contender but don’t take my word for it, listen to the record, do they still have records?– it was a Finnegans Wake rap sort of thing, yes, as you can see I try to keep up — should have used more bass, a little sampling, be ok on the boombox then — but I’m pulling your leg, as if a shade could pull anything — because, now that I’m dead, I don’t have to protect the image I worked so hard to create — I’m finally free, I tell you — though I still rejoice at the number of academics who toil in its shadow — who till the field I manured so well — the me they think they know is a construct, only part of the story — James Joyce as Jesuit — James Joyce the aesthete — going slowly blind — grinding out the great creations in the face of insurmountable odds; misunderstanding, penury, censorship, the lovely chains of Ireland past and always present but, shit, what else could I do? — I was as trapped by the iron logic of my own work as any Joycean scholar — forget modernism, the fetter that bound me and, yes, broke me, was the notion of progress — I started small, a few poems, then moved on to short stories, well-crafted they were, too, and finally graduated, with my Portrait, to the novel — all well and good – I was on an upwards trending line on the graph of life, steadily ascending, and seeing the sense and shape of my literary output I made the big jump, the quantum leap, to ur-novel, the novel as encyclopedia, and the result was, of course, Ulysses — but that particular jump from the novel we all know and love to the thinner atmosphere of ‘Great Book’ is a tricky one, because where do you go from there?

Continue reading “Finnegan Joyce” – Fiction by Ron Kolm