Tag Archives: Spring 2015 (#5)

“A Lesser Cement” – Fiction by Anna Lea Jancewicz

In some ways, “A Lesser Cement” (Anna Lea Jancewicz‘s flash fiction from our Spring 2015 issue) is a love story like countless others. But in other ways, it’s a unique love story– particularly in the way that it’s about a girl who marries a hammer.

{ X }

THERE WAS A GIRL WHO MARRIED A HAMMER. At first, it seemed like a pretty great idea. He was the strong and silent type. She found him on Craigslist, and he only cost her five bucks. She knew he was used, but she had a checkered past herself, one she didn’t want to talk about, so that part was okay. Their first date was awesome. She made a huge pot of matzo ball soup and they lay on her couch, binge-watching Firefly in its entirety. He didn’t complain when she ate all the matzo balls, and she never had to pause the show for him to take pee breaks or get beers. When he fell asleep on the couch, she covered him with a freshly laundered dish towel, tucking it under his sloping claw. He looked serene in the blue television glow. She was sure they’d be very happy together.

She liked his soft rubber grip, the way it fit perfectly in her hand, as if they were made for each other. Things could get a little rough in the bedroom, but it wasn’t so bad. He cracked one of her molars, but she liked that she could sit at her desk at her job during the day tonguing the sharp edge of the broken tooth and thinking about him. It felt like a barnacle. She was glad he never discarded used cotton swabs on the bathroom floor or insisted on listening to NPR when he rode in her car, because she liked to rock out. She was glad he didn’t make fun of her when she didn’t know how to fix something on her computer and it took her a long time to do it. She liked that he had no misguided opinions about female underarm hair equating to lax hygiene. He didn’t snore. He didn’t smugly correct the way she mispronounced certain words that she’d only ever read but never heard aloud.

Continue reading “A Lesser Cement” – Fiction by Anna Lea Jancewicz

“She Used to Be on a Milk Carton” – Poetry by Kailey Tedesco

Girls in the Surf With Moon Casting a Shadow - Joan Brown, 1962
Girls in the Surf With Moon Casting a Shadow – Joan Brown, 1962

“She Used to Be on a Milk Carton” is one of two wonderfully surreal poems by Kailey Tedesco featured in our Spring 2015 issue.

{ X }

SOMETIMES I TALK TO A GIRL WHO HAS THE MOON STUCK
between her teeth like the wedge of an orange.

This girl is all moon, I think – when she moves
the ocean is clearer in my conch shell.

There were only stars where she was and when
asked where she belongs and she says anywhere

but the sky and that she misses
her pearls: Where are they?

She was pleased when I handed her a costume
strand, but it made her look even more moony.

At night, I see her waning, and constellations
could skitter to the planet with a single tug.

{ X }

Headshot UpdateKAILEY TEDESCO is currently enrolled in Arcadia University’s MFA in Poetry program. She edits for Lehigh Valley Vanguard and Marathon Literary Magazine, while also teaching eighth grade English. A long-time flapper at heart, Kailey enjoys hanging out  in speakeasies, cemeteries, and abandoned amusement parks for all of her poetic inspiration. She is a resident poet of the aforementioned LVV, and her work has been featured in Boston Poetry Magazine and Jersey Devil Press

“The Burning Moon” – Poetry by Jasper Lo

Strong Dream - Paul Klee, 1929
Strong Dream – Paul Klee, 1929

“The Burning Moon” is one of two haunting yet beautiful poems by Jasper Lo featured in our Spring 2015 issue.

{ X }

LAST NIGHT, I DREAMT
the blue moon
caught fire. Its marble

craters formed
Greek columns as fire consumed
each pillar, pulling its Ionic scrolls

into the dark carpet sky.
As it burned,
I lay pushing against the ground,

watching a patrol breathe fog
into their chemical masks.
I flipped down my night vision goggle

and watched quietly as my squad pulled
me closer to our exit; my hip sliding
and my legs shimmying

towards the entrance
of a tunnel.
The moon breathed, burning

more violently, sobbing
combustion. Touching
the door, I turned to see a figure

hoisted in a carry, illuminated
by the patrol’s lights. Then I sprinted
arriving at the stairway’s

secluded base where my body
weight became unbearable
and my stomach dived.

Last night, I dreamt
the cheesy blue moon immolated-
and I watched it burn.

{ X }

Jasper ProfileJASPER LO is a Chinese-American twenty-something US Army veteran. He is recovering from the trauma of being raised Chinese in New York and is a graduate of Boston University.

“Khepri” – Poetry by Sally J. Johnson

Wall painting of Khepri - Author unknown, circa 2nd Millennium BC
Wall painting of Khepri – Artist unknown, circa 2nd Millennium BC

“Khepri” is a scarab-headed sun god, and the inspiration for one of two poems by Sally J. Johnson featured in our Spring 2015 issue

{ X }

BORN FULLY FORMED
I can tell you about coming
into being about birthing
out bodies from sun shit and earth
to rise again and emerge whole
from darkness from dung from
the lungs of dirt do not stand
witness against me sing my scarab sisters
into the skin of the dead I am born
of the underworld to show you light
lifting my burden across the burning
sky I am born buried
born again alive
in knowing my time

I’ll embalm your beautiful sun
give you darkness at dawn
I’ll tug at your eyelashes
with my antennae wake you
every day until you die

{ X }

SallyJSALLY J. JOHNSON received her MFA from the University of North Carolina at Wilmington where she served as Managing Editor for the award-winning literary journal Ecotone. Her poetry and nonfiction have appeared or are forthcoming in the Collagist, Bodega, the Pinch, Weave, So to Speak, Everyday Genius and elsewhere. She is a poetry editor for Green Briar Review and works as a publicist in Winston-Salem, North Carolina. Find her online:@sallyjayjohnson.

The FLAPPERHOUSE #5 Rag

Get your paws on FLAPPERHOUSE pulp through CreateSpace & Amazon.

FLAPPERHOUSE #5 is Now On Sale!

click THIS link or the cover below to order your
PRINT edition of FLAPPERHOUSE #5 (Spring 2015)
for $6US

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#5

click THIS link to buy on Amazon

Click THIS LINK or the button below to order your
DIGITAL (PDF) edition of FLAPPERHOUSE #5 (Spring 2015)
for $3 US

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PLEASE NOTE: Unfortunately we are currently unable to email PDFs immediately upon order. Delivery of your PDF may take anywhere from several seconds to several hours, but rest assured, we will complete your purchase as soon as humanly possible.

We apologize profusely for any inconvenience or delayed gratification.

Starring Wm. Samuel Bradford, Vajra Chandrasekera, Juliet Cook, Sagnik Datta, Ariel Dawn, Robin Wyatt Dunn, j/j hastain, Rebecca Havens, Anna Lea Jancewicz, Sally J. Johnson, Ian Kappos, Damien Krsteski, Rachna Kulshrestha, Jasper Lo, Danielle Perry, Arman Safa, Bud Smith, Kailey Tedesco, and Jasmyne Womack

“The Rud Yard” – Fiction by Vajra Chandrasekera

Illustration for Rudyard Kipling's "With the Night Mail" - F.X. Leyendecker, 1905
Illustration for Rudyard Kipling’s “With the Night Mail” – F.X. Leyendecker, 1905

Should you care for another taste of our Spring 2015 issue before it flies on March 20, here’s “The Rud Yard,” Vajra Chandrasekera‘s hilariously terrifying take on the future of the surveillance state.

{ X }

HE SAYS HE’S ALLERGIC TO EVERYTHING, only as if he’d like to be bitten by a radioactive spider and wake up the next morning without any allergies and with 20/20 vision and surprise abs. What he has instead is a pain in his belly from, he claims, the constant stress of the surveillance state. He refuses to let me use his name, so let’s call him M.

I get M’s shirt off and discover a belly like that of a woman just barely pregnant. I place my hands on it reverently and make a face like the baby just kicked.

“You have a radiant glow,” I tell him. Then I have to explain that this glow has nothing to do with the radioactive spider, and we get sidetracked into an argument about the Radium Age of science fiction a hundred years ago. Specifically, about Kipling’s Aerial Board of Control stories, which he thinks should definitely count and I don’t, mostly because I haven’t read these stories. M says they’re about airships that rule the world or something like that.

“Oh, like drones!”

M says no. Not like drones. He says one time when he was twelve the President came to his school for prize day.

“What does this have to do with Kipling?” I say, “Or for that matter, the surveillance state?” and he says shush, wait for it.

So the President came to his school for prize day and the entire auditorium was full of important people and parents –these were non-overlapping groups, with the important people in the front and the parents in the back– and there was no room for the kids, so they set up some plastic chairs outside the auditorium, under a tin roof still glowing cherry red from the afternoon sun.

Sweltering under it and choking slowly to death on their ties, the boys –it was a boys-only school, he says, all rum and sodomy and the lash– practiced their bad seventh-grade French, which consisted entirely of all the French swear words they had learned to that point, and the useful phrase je ne sais pas.

“The two most important stages of language acquisition,” I say.

Yeah, M says, the parts of speech that are always permitted: swearing and denial.

The reason M refuses to let me use his real name is, of course, the surveillance state. It’s not that he thinks they don’t already know it, as M always says, but it makes him uncomfortable to hear it said at all any more.

Continue reading “The Rud Yard” – Fiction by Vajra Chandrasekera

5 Facts About FLAPPERHOUSE #5

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FLAPPERHOUSE #5 is about surveillance, survival, subversion, love, war, magic, many-worlds, meta-fiction, and alphabetical pasta.

FLAPPERHOUSE #5 has many pieces with titles that sound like Guided By Voices songs, e.g., “A Lesser Cement,” “She Used to be on a Milk Carton,” and “Saving Earthworms in My Mountain Cave.”

FLAPPERHOUSE #5 broadens our leathery wingspan’s embrace of the globe; in addition to the US, UK, Ireland, & Israel, we will now have published work by writers in India, Sri Lanka, Canada, & Macedonia.

FLAPPERHOUSE #5 is dedicated to Isis, the *real* Isis.

FLAPPERHOUSE #5 will fly March 20, 2015, in digital & print editions.

“9 lessons in witchcraft” – Poetry by Danielle Perry

Witch going to the Sabbath - Remedios Varo, 1957
Witch going to the Sabbath – Remedios Varo, 1957

Care for a quick peek at our Spring 2015 issue, FLAPPERHOUSE #5, which flies on March 20? Sit for a spell & learn “9 lessons in witchcraft” from Danielle Perry.


{ X }

for Jodi

i. THE NATURE OF MAGIC

if you do not already understand magic
i am not sure i can explain it to you.

ii. sisterhood

we were sisters, or so the story goes, which
made it very confusing when i realized
that my feelings were not exactly sisterly.

iii. witch, witch, burn the witch

i learned the lesson early:
no one ever chooses the witch in the end.

iv. set aside childish things

i never learned that one.
some things stick with you, even
when you don’t intend them to.

Continue reading “9 lessons in witchcraft” – Poetry by Danielle Perry