Tag Archives: Rita Mookerjee

FLAPPERHOUSE’s Most-Viewed Pieces of 2018

Everywhere Eyeballs Are Aflame – Odilon Redon, 1888

With a new year ahead of us, let’s look back at the 10 pieces that attracted the most eyeballs to our site in 2018…

10. “Betula nigra,” Avee Chaudhuri’s beautifully twisted short story from our Winter 2018 issue.

9. “Chemtrail Mist of the New World,” C.D. Frelinghuysen’s paranoid & poignant flash fiction from our Fall 2018 issue.

8. “X-Ray,” Rosie Adams’ unnerving yet captivating flash fiction from our Winter 2018 issue.

7. “Sycroax Martinez is a witch from Corpus Christi, Texas,” Luis Galindo’s spellbindingly brilliant poem from our Winter 2018 issue.

6. “Too Late for Anarchy,” Marc Harshman’s wry and wistful poem from our Summer 2018 issue.

5. “Fetish / Recluse,” Rita Mookerjee’s magically sensual & intoxicating poem from our Summer 2018 issue.

4. “moon-cleansed,” Monica Lewis’ cosmically beautiful & gut-punchingly powerful poem from our Winter 2018 issue.

3. “Questionnaire for the Gravitron Operator Before I Ride,” Jennifer Savran Kelly’s curious & captivating flash fiction from our Fall 2018 issue.

2. “Knock Knock” Todd Dillard’s vivid & tender poem of love & parenthood from our Summer 2018 issue.

And our number one most-viewed piece of 2018 was “Snapshot from the Revolution,” Perry Lopez’s historical & horrific short story from our Summer 2018 issue.

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“Fetish / Recluse” – Poetry by Rita Mookerjee

The Day After – Edvard Munch, 1895

“Fetish / Recluse” is one of two magically sensual & intoxicating poems by Rita Mookerjee in our Summer 2018 issue.

{ X }

I TOOK NIGHTTIME TO HIDE IN MY HAIR AND
considered how I confused lust with
a periscope. How intimacy was a seeing eye,
people’s faces in orgasm.

Through muscle memory, I learned to grab a bottle
from thin air. Since it only takes 21 days to make a habit
I hammered this magic in like ideology,
fists unsure what to make of sleep.

I dreamt of whiskey bottles with false bottoms
filled with index cards listing coping mechanisms
that I could call my own so I could stop
living as a caricature of myself.

Then sleeping alone started to feel like a victory
because I could pass out with wine in my mouth
a lump of gleaming brie on my nightstand
and for all my social inclinations, my time

in bed alone increased. I read the news and
considered myself lucky. I tucked corks into
jars around the house: awards for effective self-
medication. Smug quotidian trophies.

{ X }

RITA MOOKERJEE‘s poetry is featured or forthcoming in Hollow, Lavender Review, Cosmonauts Avenue, Spider Mirror Journal, and others. Her critical work has been featured in the Routledge Companion of Literature and Food, The Bloomsbury Handbook to Literary and Cultural Theory, and The Bloomsbury Handbook of Twenty-First Century Feminist Theory. She is a PhD candidate at Florida State University specializing in contemporary Caribbean literature.