Tag Archives: A.E. Weisgerber

Our Nominations for The Best Small Fictions 2018 Are…

 

Small Worlds – Wassily Kandinsky, 1922

The Best Small Fictions honors fiction of 6 to 1,000 words published in a calendar year. As we are eligible to nominate up to 5 pieces for inclusion in their 2018 anthology, we have selected:

“Picnic” by A. E. Weisgerber (560 words), from our Spring 2017 issue.

“Mission Concept” by Peter H.Z. Hsu (716 words), from our Summer 2017 issue.

“Left Behind” by Kaj Tanaka (512 words), from our Summer 2017 issue.

“Drought” by Kim Coleman Foote (390 words), from our Fall 2017 issue.

and “X-Ray” by Rosie Adams (474 words), from our Winter 2018 issue.

Best of luck to all our nominees, and thanks as ever for contributing your extraordinary small fictions to our weird little zine!

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Our Most-Viewed Pieces of 2017 Were…

Eyes – Nuri Iyem, 1979

Before we set our sights completely on 2018, let’s look at the pieces from 2017 that attracted the most eyeballs to our site…

10. “When I Die Someone Just Fuck My Body Please,” Ian Kappos’ punker-than-hell poem from our Summer 2017 issue.

9. “Picnic” A. E. Weisgerber’s potent & evocative flash fiction which served as the opening piece of our killer & cinematic Spring 2017 issue.

8. “Drought,” Kim Coleman Foote’s eerily surreal & fable-like flash prose which kicked off our Fall 2017 issue.

7. “Summer Water,” one of two witty & intoxicating poems by Sarah Bridgins in our Summer 2017 issue.

6. “Mission Concept,” Pete H.Z. Hsu’s trippy & unearthly (and Best of the Net-nominated) flash fiction that launched our Summer 2017 issue.

5. “Caulking the Wagon,” Devin Kelly’s poetic meditation on suffering & classic computer games, from our Summer 2017 issue.

4. “Love Song of a Femme Fatale on Scholarship,” Maria Pinto’s frisky & infatuating flash fiction from our Winter 2017 issue.

3. “Torture Game”, Ryan Bradford’s fiendish short fiction about a dark night at the drive-in, from our Spring 2017 issue.

2. “Left Behind,” Kaj Tanaka’s brief yet profoundly haunting flash fiction, and the grand finale of our Summer 2017 issue.

1. “The Cake,” Jonathan Wlodarski’s deliciously disturbing (and Pushcart Prize-nominated) short fiction from our Winter 2017 issue.

“Picnic” – Fiction by A.E. Weisgerber

Home Movies – Rosalyn Drexler, 1963

“Picnic” is A.E. Weisgerber‘s potent & evocative flash fiction from our killer & cinematic Spring 2017 issue. (Fun fact: “Picnic” was also selected by Michael Ray at Zoetrope: All-Story for inclusion in the super-cool Cafe Zoetrope Short Story Dispenser!)

{ X }

IT WAS DRIZZLY AND FRIDAY AND THEY WERE POOR, so Yves and his new wife Della decided to dig out the 8mm. The projector—Bell & Howell, heavy and gray with a square-handled top—was passed down from the coat closet, followed by the Thom McCan shoe box, holding its small library of little films, each in a yellow and black cardboard box marked with catchall names like Cabin 1960, Aunt Belle, St. Anne, and such.

“Don’t forget to get that pen,” Yves said. “You can mark the one with your cousin in it.”

Della’s cousin, Pat Farelly, was back in the newspapers as his verdict was due shortly.

“Oh. Gosh right. What if they let him go?” Della brought the box into the living room.

“I don’t think he’s got a chance. Did you see the newspaper? those shackles?” Yves set down the bulky projector, unhasped its pebbly gray clamshell, shucked it. “With his limp on top of that?” The threading wasn’t so tricky, but once that lamp kicked on, it had to keep running or acrid smoke would announce holes burning through the celluloid.

With a china crayon, Della added ‘killer’ to the little carton’s subject line, and set it aside. “Remember how he locked all the doors?”  Della always selected the same films, and it wouldn’t be an official movie night without watching Honeymoon, the time the old Falcon got stuck in the snow.

Continue reading “Picnic” – Fiction by A.E. Weisgerber

FLAPPERHOUSE Reading #14, in Pictures

An ocean of thank-yous to everyone who helped make last night’s reading more fun than a mosh pit at an anarchist pep rally: Gregory, Lisa Marie, Michael, Anne, Kurt, Adam, and Abigail for performing your flappy lits; Alibi for your scintillating singing and photography; Pacific Standard for your infinitely warm hospitality; and all you hip & gorgeous people who came out to watch. Let’s do this again sometime in late May, maybe? 

(photos by Alibi Jones)

Gregory Crosby, author of FH13’s “Nine Masks,” reads his alluring & mysterious poetry

 Lisa Marie Basile spellbinds the audience with her evocative poetry

Michael Díaz Feito reads “The Rats Are Ready,” one of his three poems in our new issue

Continue reading FLAPPERHOUSE Reading #14, in Pictures

FLAPPERHOUSE Reading #14 / Issue 13 Flight Party

We’re gonna project our souls lightspeed into the future as we celebrate the flight of our 13th issue with our 14th reading! Wednesday night, March 22, 7-9 PM at the always-hospitable Pacific Standard, 82 Fourth Avenue in Brooklyn.

starring:
LISA MARIE BASILE
GREGORY CROSBY
MICHAEL DÍAZ FEITO
ALIBI JONES
ADAM TEDESCO
A.E. WEISGERBER
ABIGAIL WELHOUSE
&
the late KURT COBAIN

Admission is free, and you can get your paws on print copies of our Spring 2017 issue for the special reading price of $5!

(Join the Facebook event page here.)